{"id":3679,"date":"2014-03-24T09:39:08","date_gmt":"2014-03-24T09:39:08","guid":{"rendered":"https:\/\/seo365.ro\/dev\/arcadia\/?p=3679"},"modified":"2023-03-24T09:59:20","modified_gmt":"2023-03-24T09:59:20","slug":"press-quotes-articles-2014","status":"publish","type":"post","link":"https:\/\/arcadiaquartet.com\/ro\/press-quotes-articles-2014\/","title":{"rendered":"Press quotes\/articles 2014"},"content":{"rendered":"<p>12 September 2014<\/p>\n<div><em>Algemeine Deutsche Zeitung<\/em><\/div>\n<div><strong>Great musical moments<br \/>\nHigh standard chamber music experiences at the Clara Haskil\u00a0Festival<\/strong><\/div>\n<div><\/div>\n<div>(&#8230;)\u00a0<em>Humbleness to each other, to the public and not least to the performed works distinguished the approach of the quartet members, who did not transform their performance into a narcissistic self-display, but let the music emerge, just like Dietrich Fischer-Dieskau used to say: The outstanding artist is the one who disappears behind the masterwork.<\/em>(&#8230;)<\/div>\n<div>by Klaus Philippi<\/div>\n<div><\/div>\n<div>August 2014<\/div>\n<div><em>The Strad<\/em><\/div>\n<div>\n<div><strong><big>Acrobatics and acumen<\/big><\/strong><\/div>\n<div>Uncompromising repertoire and a gruelling schedule challenged both competitors and jury at the Osaka International Chamber Music Competition in Japan, writes\u00a0<strong>Pauline Harding<\/strong><\/div>\n<div><em>(\u2026) it was Arcadia that impressed the judjes and audience the most, with a musical, technically accomplished Beethoven op.131 that was met at its end by rapturous cheering and applause.<\/em><\/div>\n<div><\/div>\n<\/div>\n<div>25 August 2014<\/div>\n<div><a href=\"http:\/\/rreverb.com\/\">www.rreverb.com<\/a><\/div>\n<div><em>\u201dMerveilleux Mendelssohn et Schubert, par le QUATUOR ARCADIA<\/em>: (\u2026)<em>\u00a0d\u2019un lyrisme \u00e0 faire fr\u00e9mir. Le jeu nuanc\u00e9 des instrumentistes rend justice \u00e0 cette grande \u0153uvre. Le mouvement lent, Adagio, est le centre de gravit\u00e9 de l\u2019\u0153uvre : 15 minutes d\u2019\u00e9motions fortes qui nous semblent suspendues dans le temps. \u201d<\/em>(&#8230;)<\/div>\n<div>by Benoit Bergeron<\/div>\n<div><\/div>\n<div>24 August 2014<\/div>\n<div><em>La Presse, Montreal<\/em><\/div>\n<div><strong>McGill: bouleversant Schubert<\/strong><\/div>\n<div>(&#8230;) \u201d<em>Ce mouvement lent\u00a0<\/em>(Adagio &#8211; Schubert Quintet)<em>\u00a0nous transportait dans un tout autre monde, tr\u00e8s loin de celui, compl\u00e8tement d\u00e9chir\u00e9, o\u00f9 nous vivons h\u00e9las!&#8230;\u201d<\/em><\/div>\n<div>by Claude Gingras<\/div>\n<div><\/div>\n<div>26 June 2014<\/div>\n<div><a href=\"http:\/\/classicalvoiceamerica.org\/\">http:\/\/classicalvoiceamerica.org<\/a><\/div>\n<div><strong>Osaka Competition Pulls International Chamber Groups<\/strong><\/div>\n<div><em>\u201dArcadia (\u2026) impressed from the opening notes of Haydn\u2019s Op. 50, No. 3, with its polish and elegance. (\u2026) First Prize went to Arcadia, (\u2026) on the strength of its coruscating account of Beethoven\u2019s Op. 131.\u201d<\/em><\/div>\n<div>by Robert Markow<\/div>\n<div><\/div>\n<div>May\u00a02014<\/div>\n<div><em><strong>Fono Forum Magazine<\/strong><\/em><\/div>\n<div><em>(\u2026) \u201dThe Romanian ensemble lives through the emotional eruptions in Jan\u00e1cek\u2019s music with heart and soul (\u2026) Sensual ecstasis, romantic rave and existential fear collide unreservedly; every accent is a stich into the heart\u2026\u201d<\/em><\/div>\n<div>by Marcus St\u00e4bler<\/div>\n<div><\/div>\n<div>3 March 2014<\/div>\n<div><a href=\"http:\/\/www.allmusic.com\/\" target=\"_blank\" rel=\"noopener\">www.allmusic.com<\/a><\/div>\n<div><em>&#8220;The Arcadia Quartet has mastered the unusual techniques and tone colors Jan\u00e1cek requires, so the quartets are played with skill and energy and the effects and timbres are brilliant. (&#8230;)&#8221;<\/em><\/div>\n<div>Blair Sanderson ***<\/div>\n<div><\/div>\n<div>24 February 2014<\/div>\n<div><strong>Phil\u2019s Classical Reviews<\/strong><\/div>\n<div><em>&#8220;These are sensational performances, in which the quartet members show the cohesion, timing, and strong musicianship, individually as well as collectively, that are needed to put these Jan\u00e1\u010dek masterworks across.&#8221;<\/em><\/div>\n<div><\/div>\n<div>22 January 2014<\/div>\n<div><a href=\"http:\/\/klassik.com\/\"><strong>klassik.com<\/strong><\/a><\/div>\n<div><strong>Jan\u00e1\u010dek,\u00a0Leo\u0161\u00a0<em>\u2013\u00a0<\/em>String Quartets No.1 &amp; 2<em>:\u00a0<\/em>Charming Twilight<\/strong><\/div>\n<div>\u201d(&#8230;)\u00a0<em>brilliant performance\u00a0<\/em>(&#8230;),\u00a0<em>spreading a unique, charming twilight.<\/em>\u201d<\/div>\n<div>by\u00a0Gero Schreier<\/div>","protected":false},"excerpt":{"rendered":"<p>12 September 2014 Algemeine Deutsche Zeitung Great musical moments High standard chamber music experiences at the Clara Haskil\u00a0Festival (&#8230;)\u00a0Humbleness to each other, to the public and not least to the performed works distinguished the approach of the quartet members, who&#8230;<\/p>","protected":false},"author":1,"featured_media":3705,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-3679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press-quotes"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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